Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA will go on sale July 26^th, 2019 for Baltimore’s triumphant return engagement at the Hippodrome Theatre. With newly reinvented staging and stunning scenic design, this new version of PHANTOM is performed by a cast and orchestra of 52, making this one of the largest productions on tour in North America.  To purchase tickets, visit BaltimoreHippodrome.com, call 800.343.3403 or visit the Hippodrome Theatre Box Office at the corner of Eutaw St and Baltimore St. For the most up-to-date pricing information, please visit Ticketmaster.com.

Andrew Lloyd Webber said, “Having received great critical acclaim in the U.K. and North America, I am really pleased that Laurence Connor’s new production of PHANTOM will continue to tour the U.S. playing in tandem with the Broadway production which just celebrated 31 years at the Majestic Theatre.”

Cameron Mackintosh said, “With PHANTOM still the reigning champion as the longest-running production on Broadway after 31 phenomenal years, with no end in sight, I’m delighted that this spectacular new production of PHANTOM has been as well-received in the U.S. as the brilliant original and has already been seen by over 4.5 million people across North America since it opened in November 2013. With an exciting new design and staging, retaining Maria Björnson’s amazing costumes, the new PHANTOM is thrilling audiences and critics alike all over again.”

Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA is presented by Cameron Mackintosh, The Really Useful Group, and NETworks Presentations. Directed by Laurence Connor (who co-directed the new production of Les Misérables that is back on tour across North America after a hugely successful revival on Broadway; directed the award-winning new production of Miss Saigonthat played London’s West End and Broadway and is now on a tour across North America; and also directed the stage version of the movie School of Rocknow playing in London’s West End), with choreography by Scott Ambler, set design by Paul Brown, Tony Award®-winning original costume design by Maria Björnson, lighting design by Tony Award®-winner Paule Constable, sound design by Mick Potter, and musical supervision by John Rigby.  The production is overseen by Matthew Bourne and Cameron Mackintosh. THE PHANTOM OF THE OPERA: music by Andrew Lloyd Webber, lyrics by Charles Hart (with additional lyrics by Richard Stilgoe), book by Richard Stilgoe and Andrew Lloyd Webber, orchestrations by David Cullen and Andrew Lloyd Webber.

Based on the classic novel Le Fantôme de L’Opéraby Gaston Leroux, THE PHANTOM OF THE OPERA tells the story of a masked figure who lurks beneath the catacombs of the Paris Opera House, exercising a reign of terror over all who inhabit it.  He falls madly in love with an innocent young soprano, Christine, and devotes himself to creating a new star by nurturing her extraordinary talents and by employing all of the devious methods at his command.

Cameron Mackintosh’s brilliant original production of Andrew Lloyd Webber’s THE PHANTOM OFTHE OPERA continues performances at Her Majesty’s Theatre in London and in its recording-breaking run at the Majestic Theatre on Broadway and many other cities around the world.

Official show site: www.ThePhantomOfTheOpera.com

Facebook: www.Facebook.com/ThePhantomOfTheOpera

Twitter: www.Twitter.com/PhantomOnTour

Instagram www.Instagram.com/PhantomTour

The CareFirst BlueCross BlueShield Hippodrome Broadway Series is presented in partnership with THE HIPPODROME FOUNDATION. The Hippodrome Foundation, Inc. is a 501(c)3, non-profit organization established in Baltimore, Maryland in 1976

About The Author

Dean Rogers

Editor-in-Chief/Entertainment Reporter

I knew early on that I wanted to take my place among the stars. One day, my mother saw me reading The Washington Post at a very young age. Who would have known that it would be the building blocks of my journey? Since that day, I dedicated my life to learn all that is learnable. I read everything from encyclopedias, to books, to dictionaries, to magazines. I’m also an avid consumer of television, with my favorite genre being game shows. If you’ve seen me on Who Wants to be a Millionaire or Wheel of Fortune, then you know that this interest has served me well!

My unique style of reporting began back in junior high school, when I started to chronicle the events that shaped my life. Whether it was the annual family vacation or the local science fiction convention, I shot numerous pictures and recorded my thoughts so I could truly appreciate the history. During my senior year at Friendly High, I wrote what was to be my first masterpiece, “Advanced Space Academy – A One Week Journey.” I sent the eleven-page article back to the U.S. Space Camp staff. The article was highly praised for being “one of the best written articles in the history of U.S. Space Camp.” From then on, I knew what I wanted to do for rest of my life — to be a reporter.

Since then, I have trained in Broadcast Journalism at Bowie State University (2008) in Bowie, MD earning a B.S. in Communications. I gained experience in news production and editing through field experiences with Bowie Community Media Corporation, Prince George’s Community Television, and Bowie State University Television. I also wrote scripts for a variety of quiz shows for over five years.

As a lifelong movie buff, I now see close to 100 films every year. I took this love of movies to the next step when I became a co-host for Eclipse Magazine TV in the fall of 2005. While at EMTV, I interviewed celebrities, worked red carpets, and attended a wide variety of movie screenings. In January 2009, I took a leap of faith and started my own entertainment news magazine, The Rogers Revue. Shortly afterward, my life-long journey of studying the silver screen and writing about what I learned finally earned me a place in the Washington Area Film Critics Association.

All of this has led me here, giving you the latest entertainment news for the DMV and the entire nation, and I am truly excited for whatever will come next.

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