Cover Photo by Daniel Rader
The concept of “Pippin” might sound dated—a 1972 musical based loosely (emphasis on loosely) on a young prince from the Middle Ages; however, the show invites today’s audiences into a coming-of-age tale that is brimming with timeless themes of ambition and the quest for a meaningful life. Signature’s deeply intimate version, set in what’s effectively a one-ring circus in this theater-in-the-round, is not only relevant but also entirely captivating from the first note to the last.
What really makes this show pop is the same thing that makes it feel so immersive: the sharp, quirky choreography by Rachel Leigh Dolan in Bob Fosse’s signature style of grounded, staccato movements and a whole lot of suggestive hips. Paired with the anachronistic, harlequin-inspired costumes (designed by Erik Teague), the players of the theater troupe telling the tale of young Pippin’s quest for greatness are grotesque, absurd, and sensual as they draw the audience into the narrative. There is intentionality and intensity in every movement of every player, and they seek out and hold the gaze of audience members (some might say for an uncomfortably long time) as they strut and dance through the theater.
There are no weak links in this show. Brayden Bambino shows us every side of his relatable Pippin: earnest, flawed, ambitious, naive, hopeful, and ultimately so very human. Cedric Neal, as Leading Player, is a true ringleader of his circus, directing the ensuing chaos with a little magic and a sinister edge. His Act II meltdown feels epically unhinged in a way that might remind you why live theater matters. And some truly outstanding women take this show to the next level. Awa Sal Secka, who plays Pippin’s love interest, Catherine, shines in “Kind of Woman,” and in her duet with Pippin, “Love Song.” The brilliant Naomi Jacobson, who plays Pippin’s grandmother, Berthe, has the crowd practically jumping out of seats for a joyful rendition of “No Time at All.” And Maria Rizzo is hysterical as Pippin’s scheming mother, Fastrada.
Each player, whether a lead or an ensemble member, has a role in helping Pippin along his journey of self-discovery, and each commits to that task with gusto. Just as Pippin learns about people, not every show can be extraordinary. This one is. Go see it.
Final Grade: A+
Pippin runs through July 26th at Signature Theatre – MAX Theatre in Arlington, VA. Running time is 2 Hours and 15 minutes with a 15-minute intermission. To purchase tickets, click on SigTheatre.org.
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